Dame Ellen Terry as Volumnia in Coriolanus Card
This signed photograph of Dame Ellen Terry (1847-1928) as Volumnia in Shakespeare’s Coriolanus is a treasured possession, left to me by the actress Rosamund Burne [? – 1975]. Ros was a close friend of my mother, Benedicta Leigh — both had worked together on stage in the Midlands during the late forties and early fifties. They remained friends until Ros died ‘in harness’ in 1975 while playing Queen Mary in a production of Crown Matrimonial by Royce Ryton.
Contained in a weathered, black leather frame, the photograph provides an evocative link to a long-gone generation of actors. Sadly, I have no knowledge of the picture’s provenance, other than that it was mounted and framed by art dealers and frame makers T & R Annan and Sons, established in Glasgow by photographer Thomas Annan in 1855.
It is addressed to “Winnie – In affectionate remembrance of Ellen Terry – 1902” but who was ‘Winnie’? Was she an admiring member of the audience, a fellow actress, a theatrical landlady, perhaps?
The phrase “affectionate remembrance” suggests a reasonably close association. Could it possibly be Miss Winifred Emery (1861-1024) who, wrote Miss Terry in her memoirs (The Story of My Life – Recollections & Reflections), “came to us for The Belle’s Stratagem and played the part that I had played years before at the Haymarket. She was bewitching, and in her white wig in the ball-room, beautiful as well. She knew how to bear herself on the stage instinctively, and could dance a minuet to perfection. The daughter of Sam Emery, a great comedian in a day of comedians, and the granddaughter of the Emery, it was not surprising that she should show aptitude for the stage.”
Winifred Emery married Cyril Maude who was famous for his ability in light comedies from the pens of such as Frederick Lonsdale. Though born in 1862, Maude was still working as late as 1947, appearing as the Old Admiral in the film version of Rattigan’s While the Sun Shines, directed by Anthony Asquith.
Could Ros Burne have met or worked with either Winifred or Cyril and been given the picture by ‘Winnie’ herself if, indeed, this is the correct Winifred? It is just possible, even though Winifred died in 1924, for Ros was born in the early years of the 20th century and had not, to my knowledge, even reached the age of twenty when she started learning the ropes under the watchful eye of Lilian Baylis at the Old Vic.
I may never discover the full story behind the framed photograph but nothing can diminish the joy I take in its possession.
What is without doubt is that the signature is genuine and that Ellen Terry played Volumnia at the Lyceum Theatre in London in 1901 opposite Sir Henry Irving as Coriolanus. Her diary entry for 16 April, one of several recorded in her memoirs, reads: “The critics who wrote their notices at the dress-rehearsal, and complained of my playing pranks with the text, were a little premature. Oh, how bad it makes one feel to find that they all think my Volumnia ‘sweet’, and I thought I was fierce, contemptuous, overbearing. Worse, I felt as if I must be appearing like a cabman rating his Drury Lane wife!” By 20 April, however, she feels she is “beginning to play Volumnia a little better.”
The actress later comments on parents in Shakespeare’s plays: “How many times Shakespeare draws fathers and daughters, and how little stock he seems to take of mothers! Portia and Desdemona, Cordelia, Rosalind and Miranda, Lady Macbeth, Queen Katherine and Hermione, Ophelia, Jessica, Hero, and many more are daughters of fathers, but of their mothers we hear nothing. My own daughter called my attention to this fact quite recently, and it is really a singular fact. Of mothers of sons there are plenty of examples: Constance, Volumnia, the Countess Roussillon, Gertrude; but if there are mothers of daughters at all, they are poor examples, like Juliet’s mother and Mrs. Page.”
She goes on to wonder “if in all the many hundreds of books written on Shakespeare and his plays this point has been taken up?” Having once written a paper on ‘Letters in Shakespeare’s Plays’, which she had thought to be the first of its kind, she was given a rude awakening when she received a letter from a lady from Oxford who said she was “mistaken in thinking that there was no other contribution to the subject”. Enclosed was an essay of the lady’s own which led the actress to conclude that someone must have already addressed “Shakespeare’s patronage of fathers and neglect of mothers!” She wonders what the mothers of Goneril, Regan, and Cordelia were like: “I think Lear must have married twice.”
Sarah Vernon © 29-04-05
- This is a revised version of an article first published on the Rogues & Vagabonds website 29-04-05 and transferred to the R&V blog on 29-03-13
Related articles
- Coriolanus and the Emotions of Revenge (nijheer.wordpress.com)
- Boy of Tears: Coriolanus (nijheer.wordpress.com)
- Exposure (thesenseofajourney.com)
Take care and keep laughing!
xxx Unlimited Hugs Sarah xxx
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How very lovely, David. Unlimited Isle of Wight hugs to you! xxx
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Thank you, I love the Isle of Wight ones, especially Bouldnor. xxx Hugs xxx
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As soon as I get a car, I’m going to explore all the areas I don’t know from my childhood and that will include Bouldnor! xx
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Just checked where it is – exciting!
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Nice to have such a treasured possession, with that story behind it. Even better to be able to use it as a card, and keep the history going.
Best wishes, Pete. x
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It is treasured indeed, not least because I adored Ros Burne and miss her still. x
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Fabulous image and I love your detective work and the quotations from Dame Terry’s diary. She makes a very good point about mothers in Shakespeare. It would have been a treat to have met her. A treasured possession indeed. Thanks for sharing, Sarah.
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I’m so glad you enjoyed the article, Olga. It was such fun to research and write. Thank you.
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Fascinating article, Sarah, and what a treasure to have!
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Thanks, Mary. The image sits permanently on my mantelpiece!
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Wonderful photo, Sarah, and what an interesting comment about the absence of mothers in Shakespeare. I never thought of that. Maybe it’s because Shakespeare knew that if a mother were in the play none of the drama would have happened. Mom would have straightened everything out in scene one.
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Spot on!
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Fascinating post! I love History!
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I’m so glad you thought so! Thank you.
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I do! Welcome!
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You might enjoy my history blog, First Night History: https://firstnighthistory.wordpress.com/
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Thanks!
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What a fascinating story and treasure!
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I’m so glad you enjoyed it, Caroline. Thanks!
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What a beautiful card – and a wonderful treasure. Ellen Terry is an actress I’m not familiar with, so I was glad to read more about her.
I never thought about the number of times Shakespeare draws on the father-daughter relationship, to be honest. (Insert facepalm.) I like what a previous commenter said about mothers removing the drama by straightening the whole thing out.
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Thank you, Ruth. Are you ready for me to test you on Terry’s life?
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