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This is not the first time I’ve sold a print of Gabrielle d’Estrees and one of her sisters at Fine Art America. I find it an engagingly unexpected piece for the 16th century. An art expert might laugh at me for my ignorance and point me in the direction of a treasury of such unexpected 16th century artwork.

Gabrielle d’Estrees and one of her sisters, or Portrait presume de Gabrielle d’Estrees et de sa soeur la duchesse, was at one time attributed to Frans Pourbus and at another to Francois Clouet. The true artist remains unknown but the picture belongs to the School of Fontainebleau. Painted in oil on an oak panel in 1594, it now hangs in the Louvre.

Source: Sold – Gabrielle d’Estrees and one of her sisters

Take care and keep laughing!

Sarah


Shop Portrait of a Young Man – Amedeo Modigliani Poster created by FirstNightVintage. Personalise it with photos & text or purchase as is!

Source: Portrait of a Young Man – Amedeo Modigliani Poster | Zazzle.co.uk

Also available in the US and Europe.

Take care and keep laughing!

Sarah


Jacques-Émile Blanche, “Portrait of Marcel Proust” (1892), oil on canvas, Musée d’Orsay ([Public domain] via Wikimedia)

Jacques-Émile Blanche, “Portrait of Marcel Proust” (1892), oil on canvas, Musée d’Orsay ([Public domain] via Wikimedia)

Perhaps the most ironic, darkly comic, and touching death scene in 20th-century literature takes place in front of Vermeer’s painting “A View of the Delft” (1660-1661) in Marcel Proust’s novel In Search of Lost Time (1913-1927).

Bergotte, a terminally ill novelist who has had a decisive influence on…

via Marcel Proust’s Dream of Art


51N8GZEVEEL._On the 28th of May 1853, artist and designer Carl Larsson was born in Stockholm. Following a difficult childhood spent in poverty, Larsson got a break when an art teacher recognised his talent and directed him towards a creative career. He started off working as an illustrator of books, magazines, and…

via The Larssons’ Handmade, Homemade Bliss: Swedish Arts and Crafts | A R T L▼R K


Edited and updated 16 May 2018

At the beginning of February, I talked about cutting back on posting and visiting for the sake of my health. The times I’ve had for myself as well as family and friends since have been beautifully beneficial. On the other hand, it has and remains a lot easier to update First Night History and Rogues & Vagabonds since I’m either reblogging or transferring from the original R&V.

In the meantime, I have several works in progress but no pieces ready to display, let alone sell so here’s a re-post about the work of one of my favourite artists, whose 120th birthday is 16 May!

Sharing Secrets, 1928 Tamara De Lempicka is an artist whose work I wish was in the public domain so that I could sell it at First Night Vintage.  Alas, she died in 1980 so unless my business becomes a worldwide success in the near future (stranger things have happened!), I cannot afford to licence any of the images…

via First Night Design | Tamara De Lempicka [1898 – 1980]


charles-rennie-mackintosh“Every object which you pass from your hand must carry an outspoken mark of individuality, beauty and most exact execution.” Charles Rennie Mackintosh

Glasgow is having a bit of a do this year to celebrate the 150th anniversary of the birth of architect, designer and artist Charles Rennie Mackintosh, one of the city’s favourite…

via The History Girls: Charles Rennie Mackintosh: Making the Glasgow Style by Catherine Hokin


A delight it is to sell a poster of Renoir’s charming child!

Take care and keep laughing!

Sarah


Just add pictures

The Arnolfini Portrait (1434) by Jan Van Eyck (d.1441)Whilst it is the major, blockbuster exhibitions like the current Charles I, King and Collector at the Royal Academy which receive most of the public’s attention, there remains an important role for smaller, focused exhibitions like Reflections, now showing at the National Gallery.

Reflections focuses on the influence of one painting, the Arnolfini Portrait by Jan Van Eyck. Painted in 1434, the picture was acquired by the National Gallery in 1842. It was the first example in the gallery’s collection of early C15 low country painting. And as such it represented a marked contrast from the Southern European Renaissance and Mannerist painting which dominated the collection and were typically seen as the high point of the art of painting.

The Arnolfini Portrait is a very sophisticated painting, highly naturalistic in execution, And with a quality of the detailing, such as the two figures greeting the pair who can only be…

View original post 240 more words


With nearly 600,000 visitors every year, Moulin Rouge is in the top ten must-see items on the tourist’s list. Located at the bottom of a hill in the Montmartre neighborhood—then a sem…

Source: Louise and Jeanne: The Antipodes of Moulin Rouge | Victorian Paris


Boudin, Eugene Louis; Beach Scene at Low Tide; The Bowes Museum

“Everything that is painted directly and on the spot has always a strength, a power, a vivacity of touch which one cannot recover in the studio…” Eugène Boudin   Eugène Boudin: Painter o…

Source: Eugène Boudin – The Bowes Museum’s Blog

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