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Reblogged to commemorate Grimaldi’s death on this day, 31st May, 1837. Click through to buy the greeting card or postcard and to get the joke!

Joseph Grimaldi, Clown 1778-1837 © First Night Design

Joseph Grimaldi, Clown 1778-1837 © First Night Design

A story is told that in 1806 a man goes to visit a doctor who is acclaimed for his ability to treat melancholia. “I can’t eat, I can’t sleep,” says the man. “I feel constantly miserable.  Please help me, doctor.”

“Laughter is the best medicine, my friend,” says the doctor. “Take yourself off to Covent Garden Theatre* where you will find The Great Grimaldi performing in Harlequin and Mother Goose; or the Golden Egg. It is exquisitely funny and will cure you of all your ills without…

via First Night Design | Joseph Grimaldi, Clown 1778–1837 | First Night Design


Dame Ellen Terry as Volumnia in Coriolanus Card

This signed photograph of Dame Ellen Terry (1847-1928) as Volumnia in Shakespeare’s Coriolanus is a treasured possession, left to me by the actress Rosamund Burne [? – 1975]. Ros was a close friend of my mother, Benedicta Leigh — both had worked together on stage in the Midlands during the late forties and early fifties. They remained friends until Ros died ‘in harness’ in 1975 while playing Queen Mary in a production of Crown Matrimonial by Royce Ryton.

Contained in a weathered, black leather frame, the photograph provides an evocative link to a long-gone generation of actors. Sadly, I have no knowledge of the picture’s provenance, other than that it was mounted and framed by art dealers and frame makers T & R Annan and Sons, established in Glasgow by photographer Thomas Annan in 1855.

It is addressed to “Winnie – In affectionate remembrance of Ellen Terry – 1902” but who was ‘Winnie’? Was she an admiring member of the audience, a fellow actress, a theatrical landlady, perhaps?

The phrase “affectionate remembrance” suggests a reasonably close association. Could it possibly be Miss Winifred Emery (1861-1024) who, wrote Miss Terry in her memoirs (The Story of My Life – Recollections & Reflections), “came to us for The Belle’s Stratagem and played the part that I had played years before at the Haymarket. She was bewitching, and in her white wig in the ball-room, beautiful as well. She knew how to bear herself on the stage instinctively, and could dance a minuet to perfection. The daughter of Sam Emery, a great comedian in a day of comedians, and the granddaughter of the Emery, it was not surprising that she should show aptitude for the stage.”

Photograph of Winifred Emery with her children

Photograph of Winifred Emery with her children (Photo credit: Wikipedia)

Winifred Emery married Cyril Maude who was famous for his ability in light comedies from the pens of such as Frederick Lonsdale. Though born in 1862, Maude was still working as late as 1947, appearing as the Old Admiral in the film version of Rattigan’s While the Sun Shines, directed by Anthony Asquith.

Could Ros Burne have met or worked with either Winifred or Cyril and been given the picture by ‘Winnie’ herself if, indeed, this is the correct Winifred? It is just possible, even though Winifred died in 1924, for Ros was born in the early years of the 20th century and had not, to my knowledge, even reached the age of twenty when she started learning the ropes under the watchful eye of Lilian Baylis at the Old Vic.

I may never discover the full story behind the framed photograph but nothing can diminish the joy I take in its possession.

What is without doubt is that the signature is genuine and that Ellen Terry played Volumnia at the Lyceum Theatre in London in 1901 opposite Sir Henry Irving as Coriolanus. Her diary entry for 16 April, one of several recorded in her memoirs, reads: “The critics who wrote their notices at the dress-rehearsal, and complained of my playing pranks with the text, were a little premature. Oh, how bad it makes one feel to find that they all think my Volumnia ‘sweet’, and I thought I was fierce, contemptuous, overbearing. Worse, I felt as if I must be appearing like a cabman rating his Drury Lane wife!” By 20 April, however, she feels she is “beginning to play Volumnia a little better.”

The actress later comments on parents in Shakespeare’s plays: “How many times Shakespeare draws fathers and daughters, and how little stock he seems to take of mothers! Portia and Desdemona, Cordelia, Rosalind and Miranda, Lady Macbeth, Queen Katherine and Hermione, Ophelia, Jessica, Hero, and many more are daughters of fathers, but of their mothers we hear nothing. My own daughter called my attention to this fact quite recently, and it is really a singular fact. Of mothers of sons there are plenty of examples: Constance, Volumnia, the Countess Roussillon, Gertrude; but if there are mothers of daughters at all, they are poor examples, like Juliet’s mother and Mrs. Page.”

She goes on to wonder “if in all the many hundreds of books written on Shakespeare and his plays this point has been taken up?” Having once written a paper on ‘Letters in Shakespeare’s Plays’, which she had thought to be the first of its kind, she was given a rude awakening when she received a letter from a lady from Oxford who said she was “mistaken in thinking that there was no other contribution to the subject”. Enclosed was an essay of the lady’s own which led the actress to conclude that someone must have already addressed “Shakespeare’s patronage of fathers and neglect of mothers!” She wonders what the mothers of Goneril, Regan, and Cordelia were like: “I think Lear must have married twice.”

Sarah Vernon © 29-04-05

  • This is a revised version of an article first published on the Rogues & Vagabonds website 29-04-05 and transferred to the R&V blog on 29-03-13
Related articles

Take care and keep laughing!

Sarah


I’m delighted to have sold two of these greeting cards. It’s a montage of British actresses from the late 19th and early 20th century from my theatrical postcard collection. Those of you interested in theatre greats will be happy to learn that Dame Ellen Terry features three times, for which I make no apology! If young actors have not heard of her, they have no right to be on the stage. [Ed. Too obstinate?] As the late Alan Rickman said — and I’m oft repeating —  “The profession should be and is a kind of relay race – about information, opinions and passions being passed on.” [Theatregoer Magazine, November 2001]

Source: The Actresses Card | Zazzle

Take care and keep laughing!

Sarah


Orientation: Postcard

  • Dimensions: 4.25″ x 5.6″ (portrait) or 5.6″ x 4.25″ (landscape)
  • Full color CMYK print process
  • Double sided printing for no additional cost
  • Postage rate: $0.34

Paper Type: Matte

The most popular paper choice, Matte’s eggshell texture is soft to the touch with a smooth finish that provides the perfect backdrop for your chosen designs.

  • Light white, uncoated matte finish with an eggshell texture
  • Paper is easy to write on and won’t smudge
  • Made and printed in the USA

Source: The Yeomen of the Guard Postcard | Zazzle

N.B. I’m not currently responding to comments or visiting blogs because of ill-health but I much appreciate your support.

Take care and keep laughing!

Sarah


Continuing in the same vein as yesterday, here is the inimitable English actress Dame Ellen Terry [1847-1928] in Much Ado About Nothing at the Lyceum Theatre in 1883.

Size: Greeting Card

Birthdays or holidays, good days or hard days, Zazzle’s customized greeting cards are the perfect way to convey your wishes on any occasion. Add a photo or pick a design and brighten someone’s day with a simple “hi”!

  • Dimensions: 5″ x 7″ (portrait) or 7″ x 5″ (landscape)
  • Full color CMYK print process
  • All-sided printing for no additional cost
  • Printable area on the back of the card is 3″ x 4″ (portrait) or 4″ x 3″ (landscape)

Standard white envelopes included

Paper Type: Matte

The most popular paper choice, Matte’s eggshell texture is soft to the touch with a smooth finish that provides the perfect backdrop for your chosen designs.

  • Light white, uncoated matte finish with an eggshell texture
  • Paper is easy to write on and won’t smudge
  • Made and printed in the USA

Source: Dame Ellen Terry Card | Zazzle

Take care and keep laughing!

Sarah


I’m feeling less than divine at the moment but I hope you enjoy this exquisite image of my namesake which you can buy as cards, postcards and posters.

The great French stage actress of the late 19th century, Sarah Bernhardt (1844-1923).

Orientation: Postcard

Create your own vacation-worthy postcards right here. Any view you’ve seen, any monument you’ve fallen in love with, can all be added to our postcards with our personalization tool. Craft touching, hand-written correspondence while on your next road trip!

  • Dimensions: 4.25″ x 5.6″ (portrait) or 5.6″ x 4.25″ (landscape)
  • Full colour CMYK print process
  • Double sided printing for no additional cost
  • Postage rate: $0.34

Paper Type: Matte

The most popular paper choice, Matte’s eggshell texture is soft to the touch with a smooth finish that provides the perfect backdrop for your chosen designs.

  • Light white, uncoated matte finish with an eggshell texture
  • Paper is easy to write on and won’t smudge
  • Made and printed in the USA

Source: The Divine Sarah Postcard | Zazzle

Take care and keep laughing!

Sarah


Size: Greeting Card

Birthdays or holidays, good days or bad days, Zazzle’s customized greeting cards are the perfect way to convey your well-wishes and salutations on any occasion. Add a photo or pick a design and brighten someone’s day with a simple “hi”!

  • Dimensions: 5″l x 7″w (portrait) or 7″l x 5″w (landscape)
  • Printed on 110 lb, 12.5 point thick, semi-gloss paper
  • Matte finish inside for smudge-free writing
  • Add photos and text to all sides of this folded card at no extra charge
  • Printable area on the back of the card is 3″l x 4″w (portrait) or 4″l x 3″w (landscape)
  • Standard white envelopes included

Source: Twelfth Night Greeting Card | Zazzle

Take care and keep laughing!

Sarah


Features / The Divine Feminine 30 October 2015 / Art Universe 4 October 2015 / Everyday Women 10 September 2015 / Layered Up 9 September 2015 / Take a black and white scan of actress Miss Lillah McCarthy (1875–1960) as Viola in Twelfth Night (1912) from an issue of Play Pictorial in my theatre collection. Throw on some magic with Photoshop in the form of textures by 2 Lil’ Owls along with a Cretan seascape photograph shot from on board a fishing boat, plus a texture from Angie Makes, and Viola is transformed, translated. I’m thinking of Quince to Bottom in A Midsummer Night’s Dream (’Thou art translated’, Act 3, Scene 1) when I use this word in the title. • Also buy this artwork on stationery, apparel, stickers, and more.

Source: “Viola Translated” Spiral Notebooks by Sarah Vernon | Redbubble

Take care and keep laughing!

Sarah


Halloween may be over for another year but it didn’t stop one of my customers from buying this card. Thank you, stranger!

Halloween, Black Cat, The Haunting, Vintage Theatre card. Personalise any greeting card for no additional cost! Cards are shipped the Next Business Day.

Source: Halloween, Black Cat, The Haunting, Vintage Theatre card

Take care and keep laughing!

Sarah


Those of you  who know I’m having trouble with my eyes will have realised that I’ve been cheating when it comes to liking posts in the last few days. In other words, I’m still not able to read through screeds of text but I’m clicking ‘like’ since it’s important to me to show my support.

As it’s easy to reblog a product or two from my galleries without worrying about reading or writing text, that’s what I’m going to do for a while. After all, a girl’s gotta earn a living so I need to promote my work.

The Criterion Theatre Greeting Card for Sale by Sarah Vernon. Our premium-stock greeting cards are 5″ x 7″ in size and can be personalised with a custom message on the inside of the card. All cards are available for worldwide shipping and include a money-back guarantee.

Source: The Criterion Theatre Greeting Card for Sale by Sarah Vernon

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