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Dame Ellen Terry as Volumnia in Coriolanus Card

This signed photograph of Dame Ellen Terry (1847-1928) as Volumnia in Shakespeare’s Coriolanus is a treasured possession, left to me by the actress Rosamund Burne [? – 1975]. Ros was a close friend of my mother, Benedicta Leigh — both had worked together on stage in the Midlands during the late forties and early fifties. They remained friends until Ros died ‘in harness’ in 1975 while playing Queen Mary in a production of Crown Matrimonial by Royce Ryton.

Contained in a weathered, black leather frame, the photograph provides an evocative link to a long-gone generation of actors. Sadly, I have no knowledge of the picture’s provenance, other than that it was mounted and framed by art dealers and frame makers T & R Annan and Sons, established in Glasgow by photographer Thomas Annan in 1855.

It is addressed to “Winnie – In affectionate remembrance of Ellen Terry – 1902” but who was ‘Winnie’? Was she an admiring member of the audience, a fellow actress, a theatrical landlady, perhaps?

The phrase “affectionate remembrance” suggests a reasonably close association. Could it possibly be Miss Winifred Emery (1861-1024) who, wrote Miss Terry in her memoirs (The Story of My Life – Recollections & Reflections), “came to us for The Belle’s Stratagem and played the part that I had played years before at the Haymarket. She was bewitching, and in her white wig in the ball-room, beautiful as well. She knew how to bear herself on the stage instinctively, and could dance a minuet to perfection. The daughter of Sam Emery, a great comedian in a day of comedians, and the granddaughter of the Emery, it was not surprising that she should show aptitude for the stage.”

Photograph of Winifred Emery with her children

Photograph of Winifred Emery with her children (Photo credit: Wikipedia)

Winifred Emery married Cyril Maude who was famous for his ability in light comedies from the pens of such as Frederick Lonsdale. Though born in 1862, Maude was still working as late as 1947, appearing as the Old Admiral in the film version of Rattigan’s While the Sun Shines, directed by Anthony Asquith.

Could Ros Burne have met or worked with either Winifred or Cyril and been given the picture by ‘Winnie’ herself if, indeed, this is the correct Winifred? It is just possible, even though Winifred died in 1924, for Ros was born in the early years of the 20th century and had not, to my knowledge, even reached the age of twenty when she started learning the ropes under the watchful eye of Lilian Baylis at the Old Vic.

I may never discover the full story behind the framed photograph but nothing can diminish the joy I take in its possession.

What is without doubt is that the signature is genuine and that Ellen Terry played Volumnia at the Lyceum Theatre in London in 1901 opposite Sir Henry Irving as Coriolanus. Her diary entry for 16 April, one of several recorded in her memoirs, reads: “The critics who wrote their notices at the dress-rehearsal, and complained of my playing pranks with the text, were a little premature. Oh, how bad it makes one feel to find that they all think my Volumnia ‘sweet’, and I thought I was fierce, contemptuous, overbearing. Worse, I felt as if I must be appearing like a cabman rating his Drury Lane wife!” By 20 April, however, she feels she is “beginning to play Volumnia a little better.”

The actress later comments on parents in Shakespeare’s plays: “How many times Shakespeare draws fathers and daughters, and how little stock he seems to take of mothers! Portia and Desdemona, Cordelia, Rosalind and Miranda, Lady Macbeth, Queen Katherine and Hermione, Ophelia, Jessica, Hero, and many more are daughters of fathers, but of their mothers we hear nothing. My own daughter called my attention to this fact quite recently, and it is really a singular fact. Of mothers of sons there are plenty of examples: Constance, Volumnia, the Countess Roussillon, Gertrude; but if there are mothers of daughters at all, they are poor examples, like Juliet’s mother and Mrs. Page.”

She goes on to wonder “if in all the many hundreds of books written on Shakespeare and his plays this point has been taken up?” Having once written a paper on ‘Letters in Shakespeare’s Plays’, which she had thought to be the first of its kind, she was given a rude awakening when she received a letter from a lady from Oxford who said she was “mistaken in thinking that there was no other contribution to the subject”. Enclosed was an essay of the lady’s own which led the actress to conclude that someone must have already addressed “Shakespeare’s patronage of fathers and neglect of mothers!” She wonders what the mothers of Goneril, Regan, and Cordelia were like: “I think Lear must have married twice.”

Sarah Vernon © 29-04-05

  • This is a revised version of an article first published on the Rogues & Vagabonds website 29-04-05 and transferred to the R&V blog on 29-03-13
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Take care and keep laughing!

Sarah


Original & vintage art © First Night Design [www.firstnightdesign.wordpress.com]

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Take care and keep laughing!

Sarah


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N.B. I’m not currently responding to comments or visiting blogs because of ill-health but I much appreciate your support.

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Sarah


Features / Hat Heads 25 March 2014 / Inspired by Edward Steichen’s headshot of Hollywood actress Gloria Swanson covered in lace (Museum of Modern Art). / Photoshop / Louise Brooks: Hello-Tuesday / Wallpaper: MGB-Stock /

The still is from a 1928 film, Beggars of Life, where Brooks plays a girl who disguises herself in beggar’s clothing to escape the police after killing her abusive stepfather. Directed by William Wellman, it also stars Wallace Beery, Richard Arlen and Roscoe Karns, and was based on a book by Jim Tully, published in 1924.

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N.B. I’m not currently responding to comments or visiting blogs because of ill-health but I much appreciate your support.

Take care and keep laughing!

Sarah


One of my favourite sheet music covers.
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Take care and keep laughing!

Sarah


While I’m still having problems with my sight and only able to ‘press’ products on sale from my various galleries as posts rather than create something new, I’m continuing with my vintage kick. This is a rather charming music sheet cover.

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Take care and keep laughing!

Sarah


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Sarah


Continuing in the same vein as yesterday, here is the inimitable English actress Dame Ellen Terry [1847-1928] in Much Ado About Nothing at the Lyceum Theatre in 1883.

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Take care and keep laughing!

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I’m feeling less than divine at the moment but I hope you enjoy this exquisite image of my namesake which you can buy as cards, postcards and posters.

The great French stage actress of the late 19th century, Sarah Bernhardt (1844-1923).

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Take care and keep laughing!

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Take care and keep laughing!

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What a lovely surprise!Featured in Creation 20th November 2016 / Featured in Vintage Retro Classic 6th December 2012. / Featured in Artists Universe 17th November 2012. / Featured in Vavoom 8th November 2012. / Daily Dazzler feature in Art Universe 27th October 2012. / Featured in Creative Cards & Calendars 26th October 2012.

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Song sheet for Irving Berlin’s famous number, ‘A Pretty Girl is Like a Melody’, sung in the Ziegfeld Follies of 1919.

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Sarah

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