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Ten greeting cards sold for St Patrick’s Day.

Take care and keep laughing!

Sarah


Edited and updated 16 May 2018

At the beginning of February, I talked about cutting back on posting and visiting for the sake of my health. The times I’ve had for myself as well as family and friends since have been beautifully beneficial. On the other hand, it has and remains a lot easier to update First Night History and Rogues & Vagabonds since I’m either reblogging or transferring from the original R&V.

In the meantime, I have several works in progress but no pieces ready to display, let alone sell so here’s a re-post about the work of one of my favourite artists, whose 120th birthday is 16 May!

Sharing Secrets, 1928 Tamara De Lempicka is an artist whose work I wish was in the public domain so that I could sell it at First Night Vintage.  Alas, she died in 1980 so unless my business becomes a worldwide success in the near future (stranger things have happened!), I cannot afford to licence any of the images…

via First Night Design | Tamara De Lempicka [1898 – 1980]


Original & vintage art © First Night Design [www.firstnightdesign.wordpress.com]

Source: Swan & Edgar’s Fashionable Furs #A Postcard | Zazzle


Dame Ellen Terry as Volumnia in Coriolanus Card

This signed photograph of Dame Ellen Terry (1847-1928) as Volumnia in Shakespeare’s Coriolanus is a treasured possession, left to me by the actress Rosamund Burne [? – 1975]. Ros was a close friend of my mother, Benedicta Leigh — both had worked together on stage in the Midlands during the late forties and early fifties. They remained friends until Ros died ‘in harness’ in 1975 while playing Queen Mary in a production of Crown Matrimonial by Royce Ryton.

Contained in a weathered, black leather frame, the photograph provides an evocative link to a long-gone generation of actors. Sadly, I have no knowledge of the picture’s provenance, other than that it was mounted and framed by art dealers and frame makers T & R Annan and Sons, established in Glasgow by photographer Thomas Annan in 1855.

It is addressed to “Winnie – In affectionate remembrance of Ellen Terry – 1902” but who was ‘Winnie’? Was she an admiring member of the audience, a fellow actress, a theatrical landlady, perhaps?

The phrase “affectionate remembrance” suggests a reasonably close association. Could it possibly be Miss Winifred Emery (1861-1024) who, wrote Miss Terry in her memoirs (The Story of My Life – Recollections & Reflections), “came to us for The Belle’s Stratagem and played the part that I had played years before at the Haymarket. She was bewitching, and in her white wig in the ball-room, beautiful as well. She knew how to bear herself on the stage instinctively, and could dance a minuet to perfection. The daughter of Sam Emery, a great comedian in a day of comedians, and the granddaughter of the Emery, it was not surprising that she should show aptitude for the stage.”

Photograph of Winifred Emery with her children

Photograph of Winifred Emery with her children (Photo credit: Wikipedia)

Winifred Emery married Cyril Maude who was famous for his ability in light comedies from the pens of such as Frederick Lonsdale. Though born in 1862, Maude was still working as late as 1947, appearing as the Old Admiral in the film version of Rattigan’s While the Sun Shines, directed by Anthony Asquith.

Could Ros Burne have met or worked with either Winifred or Cyril and been given the picture by ‘Winnie’ herself if, indeed, this is the correct Winifred? It is just possible, even though Winifred died in 1924, for Ros was born in the early years of the 20th century and had not, to my knowledge, even reached the age of twenty when she started learning the ropes under the watchful eye of Lilian Baylis at the Old Vic.

I may never discover the full story behind the framed photograph but nothing can diminish the joy I take in its possession.

What is without doubt is that the signature is genuine and that Ellen Terry played Volumnia at the Lyceum Theatre in London in 1901 opposite Sir Henry Irving as Coriolanus. Her diary entry for 16 April, one of several recorded in her memoirs, reads: “The critics who wrote their notices at the dress-rehearsal, and complained of my playing pranks with the text, were a little premature. Oh, how bad it makes one feel to find that they all think my Volumnia ‘sweet’, and I thought I was fierce, contemptuous, overbearing. Worse, I felt as if I must be appearing like a cabman rating his Drury Lane wife!” By 20 April, however, she feels she is “beginning to play Volumnia a little better.”

The actress later comments on parents in Shakespeare’s plays: “How many times Shakespeare draws fathers and daughters, and how little stock he seems to take of mothers! Portia and Desdemona, Cordelia, Rosalind and Miranda, Lady Macbeth, Queen Katherine and Hermione, Ophelia, Jessica, Hero, and many more are daughters of fathers, but of their mothers we hear nothing. My own daughter called my attention to this fact quite recently, and it is really a singular fact. Of mothers of sons there are plenty of examples: Constance, Volumnia, the Countess Roussillon, Gertrude; but if there are mothers of daughters at all, they are poor examples, like Juliet’s mother and Mrs. Page.”

She goes on to wonder “if in all the many hundreds of books written on Shakespeare and his plays this point has been taken up?” Having once written a paper on ‘Letters in Shakespeare’s Plays’, which she had thought to be the first of its kind, she was given a rude awakening when she received a letter from a lady from Oxford who said she was “mistaken in thinking that there was no other contribution to the subject”. Enclosed was an essay of the lady’s own which led the actress to conclude that someone must have already addressed “Shakespeare’s patronage of fathers and neglect of mothers!” She wonders what the mothers of Goneril, Regan, and Cordelia were like: “I think Lear must have married twice.”

Sarah Vernon © 29-04-05

  • This is a revised version of an article first published on the Rogues & Vagabonds website 29-04-05 and transferred to the R&V blog on 29-03-13
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Take care and keep laughing!

Sarah


Original & vintage art © First Night Design [www.firstnightdesign.wordpress.com]

Source: Swallow with Flowers Mouse Pad | Zazzle

Take care and keep laughing!

Sarah


FROM THE ARCHIVE: 24th September 2014
The Court-Harman Girls Greeting Card School stories have always been popular and continue so to be. When I was a child, my contemporaries and I were suckers for Elinor M Brent-Dyer’s Chalet S…

Source: First Night Design | You’re a Brick, Angela!

Take care and keep laughing!

Sarah


Orientation: Postcard

  • Dimensions: 4.25″ x 5.6″ (portrait) or 5.6″ x 4.25″ (landscape)
  • Full color CMYK print process
  • Double sided printing for no additional cost
  • Postage rate: $0.34

Paper Type: Matte

The most popular paper choice, Matte’s eggshell texture is soft to the touch with a smooth finish that provides the perfect backdrop for your chosen designs.

  • Light white, uncoated matte finish with an eggshell texture
  • Paper is easy to write on and won’t smudge
  • Made and printed in the USA

Source: Rachel Strong by Léon Bakst 1924 Postcard | Zazzle

Take care and keep laughing!

Sarah


Orientation: Postcard

  • Dimensions: 4.25″ x 5.6″ (portrait) or 5.6″ x 4.25″ (landscape)
  • Full color CMYK print process
  • Double sided printing for no additional cost
  • Postage rate: $0.34

Paper Type: Matte

The most popular paper choice, Matte’s eggshell texture is soft to the touch with a smooth finish that provides the perfect backdrop for your chosen designs.

  • Light white, uncoated matte finish with an eggshell texture
  • Paper is easy to write on and won’t smudge
  • Made and printed in the USA

Source: Botanical Fruit Postcard | Zazzle

N.B. I’m not currently responding to comments or visiting blogs because of ill-health but I much appreciate your support.

Take care and keep laughing!

Sarah


Features / Hat Heads 25 March 2014 / Inspired by Edward Steichen’s headshot of Hollywood actress Gloria Swanson covered in lace (Museum of Modern Art). / Photoshop / Louise Brooks: Hello-Tuesday / Wallpaper: MGB-Stock /

The still is from a 1928 film, Beggars of Life, where Brooks plays a girl who disguises herself in beggar’s clothing to escape the police after killing her abusive stepfather. Directed by William Wellman, it also stars Wallace Beery, Richard Arlen and Roscoe Karns, and was based on a book by Jim Tully, published in 1924.

• Buy this artwork on home decor, stationery, bags, and more.

Source: “The Louise Brooks Tattoo” by Sarah Vernon | Redbubble

N.B. I’m not currently responding to comments or visiting blogs because of ill-health but I much appreciate your support.

Take care and keep laughing!

Sarah


One of my favourite sheet music covers.
Shop There Must Be A Way To Love You Card created by FirstNightVintage. Personalize it with photos & text or purchase as is!

Size: Greeting Card

Birthdays or holidays, good days or hard days, Zazzle’s customized greeting cards are the perfect way to convey your wishes on any occasion. Add a photo or pick a design and brighten someone’s day with a simple “hi”!

  • Dimensions: 5″ x 7″ (portrait) or 7″ x 5″ (landscape)
  • Full color CMYK print process
  • All-sided printing for no additional cost
  • Printable area on the back of the card is 3″ x 4″ (portrait) or 4″ x 3″ (landscape)

Standard white envelopes included

Paper Type: Matte

The most popular paper choice, Matte’s eggshell texture is soft to the touch with a smooth finish that provides the perfect backdrop for your chosen designs.

  • Light white, uncoated matte finish with an eggshell texture
  • Paper is easy to write on and won’t smudge
  • Made and printed in the USA

Source: There Must Be A Way To Love You Card | Zazzle

Take care and keep laughing!

Sarah

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