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Features / The Divine Feminine 30 October 2015 / Art Universe 4 October 2015 / Everyday Women 10 September 2015 / Layered Up 9 September 2015 / Take a black and white scan of actress Miss Lillah McCarthy (1875–1960) as Viola in Twelfth Night (1912) from an issue of Play Pictorial in my theatre collection. Throw on some magic with Photoshop in the form of textures by 2 Lil’ Owls along with a Cretan seascape photograph shot from on board a fishing boat, plus a texture from Angie Makes, and Viola is transformed, translated. I’m thinking of Quince to Bottom in A Midsummer Night’s Dream (’Thou art translated’, Act 3, Scene 1) when I use this word in the title. • Also buy this artwork on stationery, apparel, stickers, and more.

Source: “Viola Translated” Spiral Notebooks by Sarah Vernon | Redbubble

Take care and keep laughing!

Sarah


This is an old book-plate by Ernest Haslehurst of a public house called The Grapes at Limehouse (once The Bunch of Grapes) that I bought from collectors Vintage Views. It would be fun to think this Taylor Walker & Co pub was the inspiration for Dickens and Fagin’s den in Oliver Twist but it certainly makes me think of the narrow cobbled streets of Victorian London where pickpockets and other nefarious persons would ply their trade. It dates from the 16th century but the frontage is Victorian.

Although the original is in good nick, it has a faded quality even though it has not actually faded, so I added a duplicate layer in Overlay to bring out the colour and detail.

Look closely — I can see Nancy on the balcony, and isn’t that Bill Sikes with his Staffy, Bullseye, coming up the ladder? And surely that’s Fagin himself at the curtain. Could this not, in fact, be the very place from which Sikes hanged himself?

The Grapes does have a connection to Dickens, however, since he knew that area of Limehouse well and probably based The Six Jolly Fellowship Porters in Our Mutual Friend on it.

From the research I’ve done, I learn that the lessees are actor Sir Ian McKellen, director Sean Mathias and Evening Standard owner, Evgeny Lebedev, the trio having bought the pub in 2011; it looks as if it’s a charming place to find some excellent beer and food. Let me know if you visit.

Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America [14 fulfillment centers in 5 countries]
Saatchi Art

Take care and keep laughing!

Sarah


FROM THE ARCHIVE April 2015

I’ve been playing at Grand Central Station. Using a photograph of the concourse by Nicolai Berntsen and a red sky background by Breno Machado, both from Unsplash, I added a texture from Kim Klassen to create a painted effect which reminds me a little of L S Lowry. I should be so talented!


“The long days seduce all thought away…

Source: First Night Design | Waiting to Travel


Take a black and white scan of actress Miss Lillah McCarthy (1875–1960) as Viola in Twelfth Night (1912) from an issue of Play Pictorial in my theatre collection. Throw on some magic in the form of textures by 2 Lil’ Owls (Owls Beguiling-18, 2LO – Crackle 11, and 2LO Confetti 6 along with a Cretan seascape photograph shot from on board a fishing boat,  plus a texture from Angie Makes (bluewatercolor), and Viola is transformed, translated. I’m thinking of Quince to Bottom in A Midsummer Night’s Dream (’Thou art translated’, Act 3, Scene 1) when I use this word in the title.

Miss Lillah McCarthy was the first wife of the playwright Harley Granville Barker, thrown over for a rich second wife. She created the role of Ann in George Bernard Shaw’s Man and Superman, among much else.


‘And let me see thee in thy women’s weeds.’
Orsino to Viola in Twelfth Night, Act 5, Scene 1


Available to buy at the following galleries!
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America
Fine Art England
Saatchi Art

Take care and keep laughing!

Sarah


Originally posted in July 2013, here is Architectural Oddity again with all the gallery links (below).

Surreal art created with a vintage postcard in my collection of the British Textile Pavilion at the 1908 Franco-British Exhibition in London.
Background layer: Playing with Brushes.
Texture: Textures of Italy.

Take care and keep laughing!

Sarah

Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America
Fine Art England
Saatchi Art

Take care and keep laughing!

Sarah


I’ve been playing at Grand Central Station. Using a photograph of the concourse by Nicolai Berntsen and a red sky background by Breno Machado, both from Unsplash, I added a texture from Kim Klassen to create a painted effect which reminds me a little of L S Lowry. I should be so talented!


“The long days seduce all thought away, and we lie like the lizards in the sun, postponing our lives indefinitely.”
― Elizabeth SmartBy Grand Central Station I Sat Down and Wept


Available at the following galleries:
Redbubble
Crated
Zazzle US tba
Zazzle UK tba
Fine Art America
Fine Art England
Saatchi Art tba

Take care and keep laughing!

Sarah


Architectural Oddity © First Night Design

Surreal art created with a vintage postcard in my collection of the British Textile Pavilion at the 1908 Franco-British Exhibition in London.
Background layer: Playing with Brushes.
Texture: Textures of Italy.

Take care and keep laughing!

Sarah

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