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I was profoundly moved recently to read about the carbon ‘imprint’ of a man who had been sitting on the stone steps outside the Sumitomo bank in Hiroshima when the bomb fell at 8.15am on 6th August 1945.

The ‘shadow’ left by his body was visible for many years until time and weather all but erased it. “Receiving the rays directly, the victim must have died on the spot from massive burns. The surface of the surrounding stone steps was turned whitish by the intense heat rays. The place where the person was sitting became dark like a shadow.” Google Cultural Institute

When the new bank was built, the steps were taken to the Hiroshima Peace Memorial Museum and an etching of the ‘shadow’ was created in memory of that fateful day when so many lives were ruined or — depending on your point of view — many more were potentially saved.

Whether this happenstance was in my subconscious when I decided to do something with Paul Earle’s photograph of deer in Bushy Park, Hampton (near London), I cannot say. If you like to ‘read’ things into other people’s work, you might say it’s my stand against the destruction of nature and wildlife where the planet will soon be a world of just such shadows.

My tongue is slightly in my cheek because I’m always amused by the things the critics read into the work they’re discussing and the ideas they attribute to the creator. I can just imagine the said artist or writer looking down from above and pooh-poohing the symbolism being expounded. “Oh, don’t be ridiculous — I wasn’t thinking anything of the kind!”

The deer in Earle’s original photograph are already in silhouette but putting the image in Linear Burn mode over the Ancient times 20 texture by 2 Lil’ Owls has increased the effect and given the image a rich, vibrant hue that you could say portends future atomic destruction!

Shadow Deer Flasks
Shadow Deer Flasks by FirstNightDesign

Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America [14 fulfillment centers in 5 countries]
Saatchi Art

Take care and keep laughing!

Sarah


As I’ve said before, there are various software applications by which you can turn a photograph into a digital painting. While they have their uses, I prefer to use textures to provide a more interesting and subtler creation than that created by algorithms (or however it’s done!).

I created Searching the Sands in Photoshop with a photograph by Chris Sardegna and a texture from 2 Lil’ Owls, I tweaked the colour balance, brightness and contrast in both images and enhanced or faded certain areas.


“I had a dream about you. We were running on the beach, holding hands. It was a nude beach, but we were the only ones wearing clothes. You wore a bikini, and I wore my dead grandma’s dress—with my grandma still in it.
”
Jarod Kintz, I had a dream about you 2


 


They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon.
Edward Lear


Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America
Fine Art England
Saatchi Art

Take care and keep laughing!

Sarah

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