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Paper Type: Value Poster Paper (Matte)

Your walls are a reflection of your personality. So let them speak with your favorite quotes, art, or designs printed on our posters! Choose from up to 5 unique paper types and several sizes to create art that’s a perfect representation of you.

  • 45 lb., 7.5 point thick poster paper
  • Matte finish with a smooth surface
  • Economical option that delivers sharp, clean images with stunning color and vibrancy
  • More paper types available under “Paper Options”
  • Add a premium quality frame as an essential accessory

Source: Royal Geographical Society Collage Print | Zazzle

Take care and keep laughing!

Sarah


I’m delighted to have sold this poster while poorly. I’m on the mend, though, and really appreciate your comforting wishes. Thank you.

Vintage French postcard from The Graphics Fairy and a background from Textures of Italy.

Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America [14 fulfillment centers in 5 countries]
Saatchi Art

Take care and keep laughing!

Sarah


FROM THE ARCHIVE 17th April 2015

I have to confess to an unwavering passion for narrow streets. The temptation to go exploring and, inevitably, to get hopelessly lost, is overpowering. This type of street is often laid with cobble…

Source: First Night Design | And Don’t Forget the Garlic! | First Night Design


FROM THE ARCHIVE 15th August 2014

New in my vintage store is this wonderful black & white portrait of Tallulah Bankhead. “I’m as pure as the driven slush.” “My father warned me about men and booze, but h…

Source: First Night Design | Tallulah Bankhead — “pure as the driven slush” | First Night Design


FROM THE ARCHIVE 14th March 2014

Photograph by Fré Sonneveld from Unsplash. Textures 2 Lil’ Owls.

Dover Beach — Matthew Arnold [1822-1888]

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the Fr…

Source: First Night Design | The Lookout | First Night Design


FROM THE ARCHIVE  14th July 2013

Birds of the Jungle by FirstNightDesign Original art © First Night Design.

Birds of the Jungle Collage. Myriad layers including a background from EKDuncan-My Fanciful Muse and from The Graphics Fai…

Source: New! Birds of the Jungle


FROM THE ARCHIVE 21st September 2016

loggia |ˈləʊdʒə, ˈlɒ-, -dʒɪə| noun a gallery or room with one or more open sides, especially one that forms part of a house and has one side open to the garden. ORIGIN mid 18th cent.: from Italian,…

Source: First Night Design | Una Logia Privada #Art | First Night Design


FROM THE ARCHIVE 4th November 2014

What fun to have sold a whacking great print of Gabrielle d’Estrees and one of her sisters on Fine Art America. It’s a delightfully cheeky oil painting; it’s a great shame the art…

Source: First Night Design | Such a Cheeky Painting #Sold


FROM THE ARCHIVE 25th July 2015

When I reblog my posts, I try to leave a decent gap and hope to catch more recent followers who have not seen a piece before or to garner a new audience for a very old post when hardly anyone was following. Sailing to the Moon received a huge amount of likes and comments. I haven’t checked the statistics but I suspect it’s one of the most popular posts on First Night Design — very pleasing. I’m re-blogging it because I love it and I have nothing else to show!

‘What can we gain by sailing to the moon if we are not able to cross the abyss that separates us from ourselves? This is the most important of all voyages of discovery, and without it, all th…

Source: First Night Design | Sailing to the Moon #Art | First Night Design


Clowns of the Sea © Sarah Vernon at Crated

Clowns of the Sea © Sarah Vernon at Crated

2 Lil’ Owls – 2LO~French Script antique papers 2-13.
Puffin – Biodiversity Library.
Flora & Fauna – Biodiversity Library.

A few tidbits from National Geographic:

1. Nicknamed ‘sea parrots‘ – and sometimes ‘clowns of the sea‘! – Atlantic puffins have black and white feathers and a large parrot-like beak. They are small seabirds measuring around 25cm in length.

2. Puffins spend most of their lives out at sea, resting on the waves when not swimming. Their range spans the eastern coast of Canada and the United States to the western coast of Europe.

3. A puffin’s beak (or bill) changes colour during the year. In winter, the beak has a dull grey colour, but in spring it blooms with an outrageous orange! It’s thought that the bright colour helps puffins assess potential mates.

4. Puffins are carnivores and live off small fish such as herring, hake and sand eels.

5. Puffins are fab flyers, flapping their wings up to 400 times a minute and speeding through the air at up to 88km an hour

Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America [14 fulfillment centers in 5 countries]
Saatchi Art

Take care and keep laughing!

Sarah


FROM THE ARCHIVE 30th September 2013

I confess I get increasingly sick of flower photographs — not paintings, whether digital, acrylic or oil — just photographs.  Rarely do I find them exceptional and yet even the mundane sell in thei…

Source: Valley Rose: Playing with Flowers


FROM THE ARCHIVE 13 October 2014

The lynx is from Vintage Printable. I created the background by blending a couple of  2 Lil’ Owls textures with one of my own concoctions. The lynx is mostly found in…

Source: First Night Design | The Lynx Has Landed


HAPPY EASTER!

FROM THE ARCHIVE 31st March 2014 & 2015 because another year has gone and I still haven’t created a new Easter image!
May Easter Joy Attend You © First Night Design

May Easter Joy Attend You © First Night Design

I’m never quite sure how to categorise creations like May Easter Joy Attend You. Is it a collage? Is it digital art, a term that applies to everything I do? Why do I concern myself? Sites like Saatchi Art and Fine Art America need  you to add this information when you upload an image. It drives me nuts, partly because I loathe categories.

The method I use is collage in that I prepare a background and then bring in elements around a particular theme and blend to a seamless whole, rather than what is strictly known as collage where elements are arranged seemingly haphazardly such as in Indian Glories.

In this instance, I prepped a background by doctoring one of Kerstin Frank’s textures, the same one I used for Alice’s Adventures.

Some of the Easter elements I brought in were discarded and replaced but not before I’d worked on them quite substantially — all good experience and not a waste of time!

These rabbits looked best in the Darken mode. But this meant the egg was far from clear. I used the Lasso Tool to select it (the Magnetic Tool is never accurate enough unless you are working with sharply defined objects) and created a new layer for the egg alone. This layer I left in its Normal state and placed it on top of the original egg. It needed touching up with the Brush and Clone Stamp Tools before I was satisfied.

The Darken mode also meant that the lower part of the right-hand rabbit had taken on the green of the background. This needed adjustment which I did by tracing the exact shape of the offending part with the Lasso Tool.  I moved to the background image and chose a lighter area in the ‘sky’ to create a new layer of the rabbit-leg shape. I left it in a Normal state and placed it behind the rabbit. Several colour adjustments were needed until the rabbit’s nether regions matched the rest of his body!

The Multiply mode was ideal for the hot air balloon but left the chicks in the basket more green than yellow. Mind you, one could argue that would be appropriate as surely the poor little blighters would be air sick! I used the same technique on them as I did on the egg to bring their yellow feathers back to life.

This left me with the bottom half of the balloon which, like the chicks and the rabbit, had taken on too much of the background to match up with the rest of the balloon. I used the same procedure as with the rabbit’s nether regions to bring it up to scratch.

I had originally planned to use the Easter greeting on the hot air balloon graphic at the top of the image but it failed to make the impact I had envisaged so I made a type layer instead with a font called Great Vibes.

The last touch was using the graphic [left] by removing its border and background and applying a ‘drop shadow’ and ‘bevel and emboss’ effect.

 

 

 

Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America
Fine Art England

Take care and keep laughing!

Sarah


I was profoundly moved recently to read about the carbon ‘imprint’ of a man who had been sitting on the stone steps outside the Sumitomo bank in Hiroshima when the bomb fell at 8.15am on 6th August 1945.

The ‘shadow’ left by his body was visible for many years until time and weather all but erased it. “Receiving the rays directly, the victim must have died on the spot from massive burns. The surface of the surrounding stone steps was turned whitish by the intense heat rays. The place where the person was sitting became dark like a shadow.” Google Cultural Institute

When the new bank was built, the steps were taken to the Hiroshima Peace Memorial Museum and an etching of the ‘shadow’ was created in memory of that fateful day when so many lives were ruined or — depending on your point of view — many more were potentially saved.

Whether this happenstance was in my subconscious when I decided to do something with Paul Earle’s photograph of deer in Bushy Park, Hampton (near London), I cannot say. If you like to ‘read’ things into other people’s work, you might say it’s my stand against the destruction of nature and wildlife where the planet will soon be a world of just such shadows.

My tongue is slightly in my cheek because I’m always amused by the things the critics read into the work they’re discussing and the ideas they attribute to the creator. I can just imagine the said artist or writer looking down from above and pooh-poohing the symbolism being expounded. “Oh, don’t be ridiculous — I wasn’t thinking anything of the kind!”

The deer in Earle’s original photograph are already in silhouette but putting the image in Linear Burn mode over the Ancient times 20 texture by 2 Lil’ Owls has increased the effect and given the image a rich, vibrant hue that you could say portends future atomic destruction!

Shadow Deer Flasks
Shadow Deer Flasks by FirstNightDesign

Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America [14 fulfillment centers in 5 countries]
Saatchi Art

Take care and keep laughing!

Sarah


Gladys Cooper [1888-1971] in Fancy Dress Greeting Card
Miss Gladys Cooper [1888-1971] in Fancy Dress Greeting Card by FirstNightVintage


Looking into a mirror on her deathbed: ‘If this is what virus pneumonia does to one, I really don’t think I shall bother to have it again.’ IMDb

I do hope this is not apocryphal!


Miss Gladys Cooper Greeting Card
Miss Gladys Cooper [1888-1971] Greeting Card by FirstNightVintage

Unless you’re a theatre buff, you will probably only know Gladys Cooper for her grand ladies on screen such as Bette Davis’ mother, Mrs Henry Vale, in Now, Voyager or Beatrice Lacy in Rebecca.

In Now, Voyager (1942) [Wikipedia]

In Now, Voyager (1942) [Wikipedia]

I always find it enchanting to see how beautiful these wonderful actresses were in their younger days. Have you ever seen a photograph of Ethel Barrymore when young? I think you’ll be surprised. Which reminds me that I have a terrific theatre postcard of her brother John with which I must do something before the century turns.

Available at the following galleries:
Zazzle US
Zazzle UK

Take care and keep laughing!

Sarah

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