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A R T L▼R K

61C8tjcyicL._SX385_On the 10th of July 1928, French artist Bernard Buffet was born in Paris. Buffet belonged to a group – “L’Homme Témoin (The Witness)” – along with Bernard Lorjout and André Minaux, considered as a new school of figurative painting. Going against the emerging trend of abstraction in modern painting, Buffet remained an Expressionist through and through: during his last visit to Musée Bernard Buffet in May 1996, he is recorded to have said, “I want you to have a dialogue with my paintings by pure affection. Painting is not something to talk about or to analyse; it is something just to feel. A hundredth of a second is enough to judge a painting.” (Musée Bernard Buffet).

In 1948, when Buffet first became popular to the public, the gloom, pessimism, and horror of his work appeared to be related to recent history and the end of the war…

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Now here’s a vintage ballet theatre programme illustrated by Léon Bakst that I haven’t played with! I bought it from Mindy Sommers at Vintage Stock Art and gave it a soupçon of restorative magic so that you can buy it as a greeting card, postcard, print or US stamp in the Theatre & Film section of First Night Vintage. You will also find many other products with the image at Fine Art America & England (see links below).

Nijinsky dans La Peri — Ballets Russes Postcard
Nijinsky dans La Peri — Ballets Russes Postcard by FirstNightVintage

Nijinsky circa 1912 [Wikimedia]

Nijinsky circa 1912 [Wikimedia]

The incomparable Vaslev Nijinsky (1890-1950) was so famous a dancer with Sergei Diaghilev’s (1872–1929) Les Ballets Russes that he, along with Diaghilev, was one of the few people known the world over by surname alone; both are inextricably linked with early 20th century arts. Nijinsky went on to choreograph Debussy’s L’Après-midi d’un faune (1912) and Stravinsky’s (1882–1971) The Rite of Spring (1913), which impresario Diaghilev produced. Ballets Russes was founded by the latter in 1909 and Stravinsky was not the only composer to be commissioned. Also included were Satie (1866–1925) and Rimsky-Korsakov (1844–1908), while there were sets designed by Picasso (1881–1973) and Jean Cocteau (1889–1963). Names to conjure with indeed. Add fellow dancers, Michael Fokine (1880–1942), Anna Pavlova (1881–1931) and George Balanchine (1904–83), and you can see why the company was so instrumental in reviving ballet as an art form.

If you like this, as they say at many online stores and give you examples you wouldn’t touch with a bargepole, you might also like Schéhérazade.

Available at the following galleries:
Zazzle US
Zazzle UK
Fine Art America
Fine Art England

Take care and keep laughing!

Sarah


The Genealogy of Style


Gertrude Stein and her brother Leo shared living quarters on the Left Bank of Paris at 27 rue de Fleurus from 1903 until 1914, when they dissolved their common household. Their residence, located near the Luxembourg Gardens, was a two-story building with adjacent studio. It was here they accumulated the works of art into a collection that would become renowned for its prescience and historical importance.

The joint collection of Gertrude and Leo Stein began in late 1904 when Michael Stein announced that their trust account had accumulated a balance of 8,000 francs. They spent this at Vollard’s Gallery, buying Paul Gauguin‘s Sunflowers and Three Tahitians, Paul Cézanne‘s Bathers, and two Renoirs.

Leo Stein cultivated important art world connections, enabling the Stein holdings to grow over time. Bernard Berenson hosted Gertrude and Leo in his English country house in 1902, facilitating their introduction to Paul Cézanne…

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