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Pippa Rathborne's SCRATCH POST

enchanted castleClaude Lorrain, Landscape with Psyche outside the Palace of Cupid, 1664
National Gallery. Image source: National Gallery

“You know the Enchanted Castle, – it doth stand / Upon a rock, on the border of a Lake, /
Nested in trees….” (Epistle to Reynolds)

(FINAL) PART EIGHT

Claude’s Landscape with Psyche outside the Palace of Cupid, inspired by Apuleius’sstory, which Keats sourced for his Ode to Psyche, is a late work of the painter’s, an elegant baroque fantasy with less than the usual “incessant observation of nature” and quality of “Brightness [that] was the excellence of Claude, brightness independent on colour…the evanescent character of light”[1] that Constable valued above all other artistic attributes.

The picture’s shortcomings, its dark, sleeping stillness, as if waiting for someone to step in and breathe life into it, gave literary advantages to Keats. The glimpse of the stone…

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Pippa Rathborne's SCRATCH POST

“…..every man whose soul is not a clod
Hath visions, and would speak, if he had loved
And been well nurtured in his mother tongue.”
(Keats, The Fall of Hyperion – A Dream)

turner sunriseTurner, Norham Castle Sunrise, 1845, Oil on canvas, Tate Gallery, London. Image source: WGA
“Oh God, not another f******* beautiful day”. (Alice de Janzé quoted in White Mischief, novel by James Fox, 1982, and in the film adaptation, 1987, screenplay by
Michael Radford and Jonathan Gems.)

At the climax of Hyperion, tremors are passing through golden-haired Apollo’s classically beautiful body like electric shocks . He shrieks while “Creations and destroyings, all at once / Pour into the wide hollows of my brain”. Empathizing with all this random suffering and emotion is too much for a god to bear, let alone an artist or poet, striving to render teeming images exactly as they were when originally experienced.

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