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Today is the 176th birthday of the artist Claude Monet. We know his work and I can speak only for myself of not knowing his whole life story. The world is a better place because he was in it and st…

Source: Happy 176th Birthday Claude Monet – Waldina


Originally posted on stuartshieldgardendesign.

Dora de Houghton Carrington (29 March 1893 – 11 March 1932), known generally as Carrington, was a British painter and decorative artist, remembered in part for her association with members of the Bloomsbury Group, especially the writer Lytton Strachey.

Early life

The daughter of a Liverpool merchant, she was born in Hereford, England, and attended the all-girls’ Bedford High School which emphasized art. Her parents also paid for her to receive extra lessons in drawing. She went to the Slade School of Art at University College, London where she subsequently won a scholarship; her fellow students included Paul Nash, Christopher R. W. Nevinson and Mark Gertler. All at one time or another were in love with her, as was Nash’s younger brother John Nash, who hoped to marry her. Gertler pursued Carrington for a number of years, and they had a brief sexual relationship during the years of the First World War.

From her time at the Slade onwards, she was commonly known simply by her surname. She was not well known as a painter during her lifetime, as she rarely exhibited and did not sign her work. She worked for a while at the Omega Workshops, and for the Hogarth Press, designing woodcuts.

Career and personal life

220px-stracheycarringtonCarrington was not a member of the Bloomsbury Group, though she was closely associated with Bloomsbury and, more generally, with “Bohemian” attitudes, through her long relationship with…

via People : Bloomsbury , Dora Carrington | stuartshieldgardendesign.


Pippa Rathborne's SCRATCH POST

enchanted castleClaude Lorrain, Landscape with Psyche outside the Palace of Cupid, 1664
National Gallery. Image source: National Gallery

“You know the Enchanted Castle, – it doth stand / Upon a rock, on the border of a Lake, /
Nested in trees….” (Epistle to Reynolds)

(FINAL) PART EIGHT

Claude’s Landscape with Psyche outside the Palace of Cupid, inspired by Apuleius’sstory, which Keats sourced for his Ode to Psyche, is a late work of the painter’s, an elegant baroque fantasy with less than the usual “incessant observation of nature” and quality of “Brightness [that] was the excellence of Claude, brightness independent on colour…the evanescent character of light”[1] that Constable valued above all other artistic attributes.

The picture’s shortcomings, its dark, sleeping stillness, as if waiting for someone to step in and breathe life into it, gave literary advantages to Keats. The glimpse of the stone…

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