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FROM THE ARCHIVE 4th October 2015

And for my next trick, I have used the same Venetian Harbour in Chania photograph (Overlay mode in Photoshop) to show baking hot, sand-encrusted houses overlooking the sea.  The underlay (Normal mo…

Source: First Night Design | And for my next trick… #Art | First Night Design

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Scorched Earth © Sarah Vernon

Scorched Earth © Sarah Vernon

And for my next trick, I have used the same Venetian Harbour in Chania photograph (Overlay mode in Photoshop) to show baking hot, sand-encrusted houses overlooking the sea.  The underlay (Normal mode) is a texture from 2 Lil’ Owls (2LO Distressed 21).

And oh boy, does that red desert dust cover everything. The Libyan Desert may be closer to South Crete but those pesky winds sweep it up and over. Every morning our beaten-up car is caked in the stuff.

That’s not even taking the henna-red earth of our garden into consideration. In the early days, I considered how it could be pressed into service. Might we be able to sieve it and press it into jars with some magic ingredient that would serve as hair dye? Would it work as a tanning agent? Was I ever seriously going to do any such thing? A resounding no! But it was fun to think about.

Which reminds me of our Greek friend ‘Panioyotis’. He was born in mainland Greece but brought up in Germany. He works mainly in the tourist industry but is constantly dreaming up ideas to make money, none of which he ever follows through, though not before he has brought me on board as his website designer and general factotum.

There were the rape alarms that are illegal in Greece but that he planned to order and dispatch from Germany. There were the lighthouses he hoped Mr FND would make out of abandoned wooden palettes.  There was the time he saw one of my images—

beenfishin

Been Fishin’ (US) Been Fishin’ (UK)

—and wanted to start an online business selling my Crete-based designs, whether straight photographs or digitally adapted.

Eventually, we realised these were pipe dreams that were never going to amount to anything. How much money he wasted on research—ordering the alarms and so forth—we’ll never know.

‘Panioyotis’ is now working back in Germany. He visits occasionally and although it’s lovely to see him, we have one problem: our dog, Pisch, has never liked him and barks constantly when he’s around. This activity is usually a good indicator of the decency of another human being but not in this case for ‘Panioyotis’ is a sweetheart!

Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America
Fine Art England
Saatchi Art

Take care and keep laughing!

Sarah


Originally posted on The Library Time Machine.

The interest here is not number 19 St Leonard’s Terrace, a perfectly good house which takes up most of the picture, but the door to number 18 on the left, the house of Bram Stoker, the author of Dracula, not to mention the Lair of the White Worm which made a curious Ken Russell film, and the Jewel of Seven Stars which was turned into one of my favourite Hammer films, Blood from the Mummy’s Tomb. Stoker wrote both of those at number 18 where you can find a blue plaque, but wrote Dracula next door at number 17. He also lived in a house in Cheyne Walk which makes him suitable for a blog post of his own one of these days.

via Old Chelsea – more photographs from the Miscellany | The Library Time Machine.


Venetian Rose Water, my new ‘watercolour’, has been created using an original photograph by Didier Descouens from Wikimedia, which you can see here. It is, in fact, Palazzo Centauri, the birthplace of the Italian playwright Carlo Goldoni. I ‘rubbed out’ the street signs attached to the wall on the right and modified the whole with a marvellous texture from my favourite supplier of such delights, 2 Lil’ Owls.

Photography Prints
Photography Prints

Take care and keep laughing!

Sarah


Take care and keep laughing!

Sarah

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