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This adaptation of an autochrome photograph from Wikimedia by Robert Demachy (1859-1936), which was taken some time between 1907 and 1915, took a great deal of work to get just right.

The original image is enchanting but as soon as I saw it, I wanted to turn it into a painting with a hint of the Pre-Raphaelites about it — yes, one of those rare occasions when I knew what I desired and didn’t wait for one of my ‘accidents’!

I used various textures to give it colour and texture before using a detail of the clock from this image to create the top right-hand detail. I duplicated this detail and warped and shaped it to create an art nouveau pattern for the drape. I also removed her left arm as it looked slightly odd!

I had to think carefully when uploading it to my galleries as a lot of the groups (such as on Redbubble) don’t accept nudity. I had to tick boxes about ‘mature content’. I’m not sure I’ll do another nude any time soon!


Look in my face; my name is Might-have-been;
I am also call’d No-more, Too-late, Farewell — Dante Gabriel Rossetti, (The House of Life: 97. A Superscription, 1-2)


Not as she is, but as she fills his dream — Christina Rossetti, In An Artist’s Studio


The term ‘Pre-Raphaelite’ is in danger of becoming one of the most misused tags in art history — Christopher Wood, Author of The Pre-Raphaelites


Available at the following galleries:
Redbubble
Crated
Zazzle US
Zazzle UK
Fine Art America [14 fulfillment centers in 5 countries]
Saatchi Art

Take care and keep laughing!

Sarah

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Dante Gabriel Rossetti (12 May 1828 – 9 April 1882) was an English poet, illustrator, painter and translator. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais, and was later to be the main inspiration for a second generation of artists and writers influenced by the movement, most notably William Morris and Edward Burne-Jones. His work also influenced the European Symbolists and was a major precursor of the Aesthetic movement.

Rossetti’s art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence The House of Life. Poetry and image are closely entwined in Rossetti’s work; he frequently wrote sonnets to accompany his pictures, spanning from The Girlhood of Mary Virgin (1849) and Astarte Syriaca (1877)…

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