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Originally posted in The Paris Review.

Full title: The Virgin in Prayer Artist: Sassoferrato Date made: 1640-50 Source: http://www.nationalgalleryimages.co.uk/ Contact: picture.library@nationalgallery.co.uk Copyright © The National Gallery, London

Full title: The Virgin in Prayer
Artist: Sassoferrato
Date made: 1640-50
Copyright © The National Gallery, London

Michelangelo couldn’t afford ultramarine. His painting The Entombment, the story goes, was left unfinished as the result of his failure to procure the prized pigment. Rafael reserved ultramarine for his final coat, preferring for his base layers a common azurite; Vermeer was less parsimonious in his application and proceeded to mire his family in debt. Ultramarine: the quality of the shade is embodied in its name. This is the superlative blue, the end-all blue, the blue to which all other hues quietly aspire. The name means “beyond the sea”—a dreamy ode to its distant origins, as romantic as it is imprecise.

Derived from the lapis lazuli stone, the pigment was considered more precious than gold. For centuries, the lone source of ultramarine was an arid strip of mountains in northern Afghanistan. The process of extraction involved grinding the stone into a fine powder, infusing the deposits with melted wax, oils, and pine resin, and then kneading…

via A Brief History of Ultramarine—The World’s Costliest Color.

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One from the archives.

First Night Design

Dancing in Greek

“Life is what happens to you while you’re busy making other plans,” said John Lennon, though he wasn’t the first.  This certainly happens when I’m in Photoshop.  I started with creams and greens and a romantic couple walking on the beach.  An experimental change of blending modes with the textures, one of which is a freebie from French Kiss, produced this vivid mahogany-like backdrop and I was sold!

I added a photograph of the Russian ballerina Tamara Platonovna Karsavina (1885–1978) from The Library of Congress and turned her into a silhouette.  The result reminds me of the lustrous designs on Ancient Greek  pottery, hence the title, Dancing in Greek.

Take care and keep laughing!

Sarah

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dancinggreekvogue

Yes, I’ve had PhotoFunia again! This might just be my favourite thus far as I happen to think that Dancing in Greek looks rather splendid on Vogue’s cover.

You may remember that I added a photograph of the Russian ballerina Tamara Platonovna Karsavina (1885–1978) from The Library of Congress and turned her into a silhouette overlaying a background of my textures.

And then I couldn’t resist putting myself on the cover. This photo was taken about five years ago.

meonvogue

Take care and keep laughing!

Sarah


Dancing in Greek

“Life is what happens to you while you’re busy making other plans,” said John Lennon, though he wasn’t the first.  This certainly happens when I’m in Photoshop.  I started with creams and greens and a romantic couple walking on the beach.  An experimental change of blending modes with the textures, one of which is a freebie from French Kiss, produced this vivid mahogany-like backdrop and I was sold!

I added a photograph of the Russian ballerina Tamara Platonovna Karsavina (1885–1978) from The Library of Congress and turned her into a silhouette.  The result reminds me of the lustrous designs on Ancient Greek  pottery, hence the title, Dancing in Greek.

Take care and keep laughing!

Sarah

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