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I first encountered Vanessa Bell’s work when I was a student at the Courtauld, where I saw A Conversation and Arum Lilies, and fell in love with them. In fact, I haven’t seen that much more of her work since, so went to Dulwich Picture Gallery‘s new exhibition of Bell’s work as soon as I could. Bell is primarily known today as part of…

Source: Exhibition review: Vanessa Bell | Culture and Anarchy

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ORIGINALLY POSTED on stuartshieldgardendesign.

Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group. Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism. He was the first figure to raise public awareness of modern art in Britain, and emphasised the formal properties of paintings over the “associated ideas” conjured in the viewer by their representational content. He was described by the art historian Kenneth Clark as “incomparably the greatest influence on taste since Ruskin … In so far as taste can be changed by one man, it was changed by Roger Fry”.‪

Life

Born in London, the son of the judge Edward Fry, he grew up in a wealthy Quaker family in Highgate. Fry was educated at Clifton College and King’s College, Cambridge,‬ where he was a member of the Cambridge Apostles. After taking a first in the Natural Science tripos, he went to Paris and then Italy to study art. Eventually he specialised in landscape painting.

In 1896, he married the artist…

Source: Bloomsbury : Roger Fry. | stuartshieldgardendesign.


440px-MortimerMarshallRylands

Writer Raymond Mortimer, Frances Partridge (then Marshall) and Dadie Rylands.

‘What I most dread is that life should slip by unnoticed, like a scene half glimpsed from a railway carriage window. What I want most is to be always reacting to something in my surroundings, whether a complex of visual sensations, a physical activity like skating or making love, or a concentrated process of thought; but nothing must be passively accepted, everything modified by passing it through my consciousness as worm does earth.

From a 1940 diary entry by Frances Partridge [1900 – 2004], a part of the Bloomsbury Group who outlasted them all.

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Sarah

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