Boudin, Eugene Louis; Beach Scene at Low Tide; The Bowes Museum

“Everything that is painted directly and on the spot has always a strength, a power, a vivacity of touch which one cannot recover in the studio…” Eugène Boudin   Eugène Boudin: Painter o…

Source: Eugène Boudin – The Bowes Museum’s Blog

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Source: The Café Royal, London by William Orpen (1912) Postcard | Zazzle

Take care and keep laughing!

Sarah


 

Take care and keep laughing!

Sarah


Yes, you’ve seen this post before if you’ve followed me for a while but ARTLARK repost in a way that removes the original link so here we go again!

On the 22nd of August 1908, painter and pioneering photojournalist Henri Cartier-Bresson was born in Chanteloup-en-Brie, France. By self-admission, his first true love of photography was inspired b…

Source: Cartier-Bresson’s Street Photography: The Perfect Take | A R T L▼R K


Jelly Belly™ Small Snip Snap Tin

A quick snip, the lid opens, and candy awaits you. Snap the lid back and the freshness is preserved. The Small Snip Snap Tin (0.40 oz) is a great way to share your artwork, text, photos, and candy with anyone! Excellent for baby or bridal showers, company celebrations, and holiday parties.

Source: Copper Pear Candy Tins | Zazzle

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Sarah


“Progress might have been alright once, but it has gone on too long.”

Ogden Nash, an American poet known for his droll and playful verse, wrote over 500 pieces of comic verse, the best of which was published in 14 volumes between 1931 and his death in 1971. He freque…

Source: August 19, 1902: Parsley Is Gharsley – Wretched Richard’s Almanac


Detail of a 1521 drawing by Albrecht Dürer of Irish warriors.

Source: One Gallòglach and Two Kerns – Albrecht Dürer Canvas Print | Zazzle

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Sarah


I’m looking for London subjects for an exhibition opening in October exploring the relationship people living with long-term invisible conditions (both physical and emotional) have with their…

Source: Portrait Subjects Wanted! – Curses and Riots


This cute illustration of a young witch (surely an innocent apprentice!), with her cat and pumpkin carriage, takes us back to the early 20th century when greeting card illustration was highly inventive and extremely popular. I have given her a new lease of life with a starry night background.

Take care and keep laughing!

Sarah


I’m delighted to have sold this binder to follow the matching card I sold the other day.

Source: There Were Never Such Devoted Pumpkins Binder | Zazzle

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Sarah


For violations of disciplinary and punishment regulations, prisoners are given 25 blows on the trestle. Georg Tauber himself is flogged. He suffers a ruptured lung and torn buttock muscles. LOAN FROM MONIKA HOFER AND ULRIKE DÜMMLER, MUNICH

WHEN DR. SIGMUND RASCHER OF the Schutzstaffel (SS), a paramilitary organization of Nazi Germany, started conducting his merciless medical experiments at the Dachau concentration camp using prisoners as guinea pigs, he sent for a prisoner, an artist, to document his…

Source: The Prisoner Who Painted Dachau’s Horrors – Atlas Obscura


Devoted Pumpkins Halloween card. Personalize any greeting card for no additional cost! Cards are shipped the Next Business Day.

There were never such devoted pumpkins! Fresh pumpkins to make an exquisite pumpkin pie for your Halloween supper. Also suitable for Thanksgiving.

Source: Devoted Pumpkins Halloween card (866786)

Take care and keep laughing!

Sarah


Flying Turkeys Thanksgiving card. Personalize any greeting card for no additional cost! Cards are shipped the Next Business Day.

The shadows of flying turkeys trying, perhaps, not to be caught and end up on the Thanksgiving table!

Source: Flying Turkeys Thanksgiving card (868757)

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Sarah


Dame Ellen Terry as Volumnia in Coriolanus Card

This signed photograph of Dame Ellen Terry (1847-1928) as Volumnia in Shakespeare’s Coriolanus is a treasured possession, left to me by the actress Rosamund Burne [? – 1975]. Ros was a close friend of my mother, Benedicta Leigh — both had worked together on stage in the Midlands during the late forties and early fifties. They remained friends until Ros died ‘in harness’ in 1975 while playing Queen Mary in a production of Crown Matrimonial by Royce Ryton.

Contained in a weathered, black leather frame, the photograph provides an evocative link to a long-gone generation of actors. Sadly, I have no knowledge of the picture’s provenance, other than that it was mounted and framed by art dealers and frame makers T & R Annan and Sons, established in Glasgow by photographer Thomas Annan in 1855.

It is addressed to “Winnie – In affectionate remembrance of Ellen Terry – 1902” but who was ‘Winnie’? Was she an admiring member of the audience, a fellow actress, a theatrical landlady, perhaps?

The phrase “affectionate remembrance” suggests a reasonably close association. Could it possibly be Miss Winifred Emery (1861-1024) who, wrote Miss Terry in her memoirs (The Story of My Life – Recollections & Reflections), “came to us for The Belle’s Stratagem and played the part that I had played years before at the Haymarket. She was bewitching, and in her white wig in the ball-room, beautiful as well. She knew how to bear herself on the stage instinctively, and could dance a minuet to perfection. The daughter of Sam Emery, a great comedian in a day of comedians, and the granddaughter of the Emery, it was not surprising that she should show aptitude for the stage.”

Photograph of Winifred Emery with her children

Photograph of Winifred Emery with her children (Photo credit: Wikipedia)

Winifred Emery married Cyril Maude who was famous for his ability in light comedies from the pens of such as Frederick Lonsdale. Though born in 1862, Maude was still working as late as 1947, appearing as the Old Admiral in the film version of Rattigan’s While the Sun Shines, directed by Anthony Asquith.

Could Ros Burne have met or worked with either Winifred or Cyril and been given the picture by ‘Winnie’ herself if, indeed, this is the correct Winifred? It is just possible, even though Winifred died in 1924, for Ros was born in the early years of the 20th century and had not, to my knowledge, even reached the age of twenty when she started learning the ropes under the watchful eye of Lilian Baylis at the Old Vic.

I may never discover the full story behind the framed photograph but nothing can diminish the joy I take in its possession.

What is without doubt is that the signature is genuine and that Ellen Terry played Volumnia at the Lyceum Theatre in London in 1901 opposite Sir Henry Irving as Coriolanus. Her diary entry for 16 April, one of several recorded in her memoirs, reads: “The critics who wrote their notices at the dress-rehearsal, and complained of my playing pranks with the text, were a little premature. Oh, how bad it makes one feel to find that they all think my Volumnia ‘sweet’, and I thought I was fierce, contemptuous, overbearing. Worse, I felt as if I must be appearing like a cabman rating his Drury Lane wife!” By 20 April, however, she feels she is “beginning to play Volumnia a little better.”

The actress later comments on parents in Shakespeare’s plays: “How many times Shakespeare draws fathers and daughters, and how little stock he seems to take of mothers! Portia and Desdemona, Cordelia, Rosalind and Miranda, Lady Macbeth, Queen Katherine and Hermione, Ophelia, Jessica, Hero, and many more are daughters of fathers, but of their mothers we hear nothing. My own daughter called my attention to this fact quite recently, and it is really a singular fact. Of mothers of sons there are plenty of examples: Constance, Volumnia, the Countess Roussillon, Gertrude; but if there are mothers of daughters at all, they are poor examples, like Juliet’s mother and Mrs. Page.”

She goes on to wonder “if in all the many hundreds of books written on Shakespeare and his plays this point has been taken up?” Having once written a paper on ‘Letters in Shakespeare’s Plays’, which she had thought to be the first of its kind, she was given a rude awakening when she received a letter from a lady from Oxford who said she was “mistaken in thinking that there was no other contribution to the subject”. Enclosed was an essay of the lady’s own which led the actress to conclude that someone must have already addressed “Shakespeare’s patronage of fathers and neglect of mothers!” She wonders what the mothers of Goneril, Regan, and Cordelia were like: “I think Lear must have married twice.”

Sarah Vernon © 29-04-05

  • This is a revised version of an article first published on the Rogues & Vagabonds website 29-04-05 and transferred to the R&V blog on 29-03-13
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Take care and keep laughing!

Sarah


“A writer is someone who has taught his mind to misbehave.” — Oscar Wilde, Irish, writer, playwright, novelist, essayist, poet

Source: “A writer is someone who has taught his mind to…” – Art of Quotation

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