Embroidered book cover for Henshaw’s Horae Successivae (1632), white satin with a floral design edged in gold cord, featured in Cyril Davenport’s English Embroidered Book-bindings (1899) — Source.

Pens and Needles: Reviving Book-Embroidery in Victorian England – The Public Domain Review


Embroidered book cover for Henshaw’s Horae Successivae (1632), white satin with a floral design edged in gold cord, featured in Cyril Davenport’s English Embroidered Book-bindings (1899) — Source.
Embroidered book cover for Henshaw’s Horae Successivae (1632), white satin with a floral design edged in gold cord, featured in Cyril Davenport’s English Embroidered Book-bindings (1899) — Source.

Fashionable in the 16th and 17th century, the art of embroidering unique covers for books saw a comeback in late 19th-century England, from the middle-class drawing room to the Arts and Crafts movement. Jessica Roberson explores the…

via Pens and Needles: Reviving Book-Embroidery in Victorian England – The Public Domain Review

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