Everyday pains and regrets, washing hanging on the line on a windy day, a glass of wine, a loaf of bread, a plate breaking in the kitchen sink, are as vital to art and writing as the greatest loves and losses, the grandest landscapes and lushest nudes. The material sublime was made out of rock and hair, skin and wood, sap and egg and insect carcasses.
Part Two of The Character of Light
Figure of Dionysos from the east pediment of the Parthenon, Athens, c.438-432 BC. © Trustees of the British Museum. “Misshapen monuments and maim’d antiques” – Byron, satirizing English Bards and Scotch Reviewers
for indiscriminate gushing over the Elgin Marbles.
Keats’ imagination links him to the chain of art, from the realistic details of classical sculpture and drapery in early Renaissance frescoes, to the joyful experienced sensations of Impressionism, the anguished lyrical Expressionism of Munch, and the quietude…
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